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no postear en este topic! si de sea opinar sobre esto u otras cosas crear un post en offtopic..
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Chapter 1 What is parapara?
- Now you too can understand parapara! -
The author of this book mainly attended clubs and discos in the Tokyo Metropolitan Area (Tokyo, Chiba, Kanagawa), so please understand that this book is going to be written from a Tokyo point of view. There are countless clubs all over Japan, and each region and each individual club has its own characteristics, but that will be explained in later chapters.
I, the author, did attend events in Nagoya for a while so I understand Nagoya clubs a little from what I personally experienced, but compared to the locals it's only scratching the surface. But on the other hand, as an outsider I was able to observe the scene objectively from a third party point of view.
As for other parts of the country, I only visited a few times so I'll probably receive complaints saying "The club we went to wasn't like that at all!", but I'll gladly accept opinions like these if you have them.
If I get too concerned with the small details it will be hard to see the big picture, and it will be nothing but jargon for people who are just beginning or who have never danced parapara and for the younger generation. So first I'm going to start with explaining as simply as possible what exactly parapara is.
Parapara is...
a dance of Japanese origin consisting mainly of upper body movements with your hands and arms combined with stepping left and right with your feet, set to club music, mainly eurobeat but also hyper techno, dance pop, and trance, in which each song has its own set choreography, which is danced with your friends and the other people who are at the dance club.
Perhaps it can be compared to a modern-day energetic high-paced Bon Dance or Awa Dance?
Generally parapara is danced at night clubs, so it is closely connected to the rise and fall in popularity of dance clubs and discos.
Dance moves set to genres of dance music called Hi-NRG and eurobeat were the origin of parapara, and simply those dances can also be called parapara, but there are many other close relatives of parapara.
The name changes slightly when parapara is danced to other music genres such as techno, dance pop, house and trance. Parapara danced to dance pop is called "yodore" (this name is mainly used in Western Japan; in Eastern Japan there is no set name and it is just simply called "dance pop"), parapara danced to techno is called "techpara", and parapara danced to epic trance is called "trapara."
There is a type of rave style techno called "Juliana's techno" that is very close to the category of parapara but it is a totally different species and falls under the category of disco. It is a combination of freestyle dance using a folding fan and simple parapara-esque choreography.
I've dropped the names of many different types of club music and you're probably feeling confused, plus it's nearly impossible to try and explain music through writing, but I'd like to explain everything bit by bit in the hopes that people will become interested.
Parapara as we know it today is said to have been born in the mid 1980's, around the year 1985 in a disco in Shinjuku, Tokyo.
This period is referred to as the first parapara boom. Simple choreography started to be set to a genre of music called Hi-NRG, the prototype of eurobeat,
and became popular with the regulars at the disco and then little by little spread to discos in other areas.
The staff at the disco started creating original choreography to songs in order to draw in more customers. Video technology was not advanced like today so the only way to learn routines was to learn them at the club.
At the time nightlife was a status symbol and in order to earn the title of king of nightlife regulars begged the disco staff to teach them routines. Disco staff at the time were extremely popular. How well the staff were able to draw in customers was closely related to the disco's profits.
There are several explanations as to why the name "parapara" came into use, and it's hard to conclude which one is correct. One explanation is that while dancing people used to chant "pa-ra, parapara." Another explanation is that it comes from the Japanese word "parapara" which means to sprinkle, and that people's hands while dancing were like rain sprinkling, but this explanation is a little far-fetched.
Eurobeat songs are divided into the intro, the A-melo, the B-melo, the refrain, and then return back to the intro. Each part has its own separate choreography, and the five separate parts together form one song. The choreography for the intro is flashy and bold, the A-melo is more subdued, the B-melo is more exciting, then in the refrain the choreography gets interesting and plays with the song's title phrase.
Whenever one of the words "you", "crazy", "baby", "me", "day", "ha!", "motion", "action", "cry", "time", or "do" comes up in a song's lyrics, there is a certain move associated with that word.
For example, for the word "crazy" you twirl your two hands next to your head, for the word "time" you use your hands to form the letter "T" in front of your body, and for "ha!" you mimic the Kamehameha attack pose from the anime Dragonball. For the word "cry" you bring your hands to your face and mimic crying. Some are a play on words that sound similar to another word in Japanese. For example, the word "action" sounds similar to the Japanese word for "achoo!"(hakushon) so the choreography mimics a sneeze. If you pay attention to the lyrics and the choreography while people are dancing, you'll be able to see the aforementioned set moves.
Also there are some set moves that are used without any relation to the music. One is a move where you sweep your right hand through the air in front of you from left to right, and then repeat going the opposite direction with your left hand. Another is a move called the aokin which looks like an wild animal trying to intimidate and protect its territory. (This move leaves an impression on beginners seeing it for the first time, and you can see it in songs such as "Kamikaze"). There are also poses that you hold for several counts that look like something from "Kamen Rider" or "Something Something Rangers." These are very characteristic moves that have nothing to do with the lyrics.
The basic foot movement is a 2 step from left to right, but sometimes there is stepping that is complicated and impossible to predict, or times when you don't step at all or you go down on one knee. There are variations on stepping in order to match the song, and especially with the new generation of parapara stepping is getting more and more complicated. More and more complicated and unpredictable high speed moves almost like aerobics are being brought into parapara, and it's a big change from the simple, predictable and easily copied choreography of the old songs of the 90's.
When someone is a good dancer, you can see the gracefulness and beauty of their movements even in simple stepping. But with beginner dancers and people who are a little dancing impaired, their upper body and lower body are discoordinated and their center of gravity is off which makes them look like a broken doll. Then there are people whose behavior is so strange that it makes you a little worried when you're watching them from the side. These people make for a good contrast in dancing skills so it's good to have them around. When these type of people get up on the otachidai(stage) to dance without understanding their own skill level, they get laughed at and pointed at and become the butt of people's jokes.
I've tried to explain a lot but dance is something that is difficult to explain in writing. If you've never seen parapara, I suggest seeing the real thing once, even if it's just a Youtube video. Even if you don't know a thing about parapara, you can tell the difference between a good dancer and a poor dancer by the persuasiveness and intensity of their movements.
Now I'm going to explain about the genres of club and disco music that were mentioned in the beginning of the chapter - hi-NRG, eurobeat, house, Juliana's techno, hyper techno, trance, epic trance, and dance pop.
There are many kinds of club music, such as hip hop, R&B, reggae, rock, and techno, which itself is a big category. Those genres of music are the most mainstream, but this book is about parapara culture so I'm going to skip them.
Songs used for parapara in general have vocals and use electronic instruments such as a synthesizer. Characteristically they are created completely synthetically except for the vocals and guitar. Songs, especially eurobeat songs, have a 4/4 rhythm and a fast tempo from 120 to 160 bpm.
This is a cop out explanation, but the difference between eurobeat and hyper techno is indistinguishable unless you're used to hearing both. Non-paralists of course and beginners even I'm sure get frustrated and confused with not being able to tell the difference. Moreover, there is no guideline for clearly dividing the two genres, so depending on the person where they divide it may be different. It's a vague thing based on the song's melody and speed and the atmosphere of the song.
However, when you've been listening to eurobeat and hyper techno for a long time you understand the criteria for dividing the two genres, and to an experienced person they seem like two completely different things. Eurobeat is characterized by cheerful melodies that uplift your mood. Hyper techno feels aggressive and gloomy, and the lyrics include a lot of violent phrases. Juliana's techno feels melancholy and even more aggressive, and it steals your heart with a sound like scissors cutting the air.
Trance is such a wide genre and if you tried to break down all the categories there would be no end, but generally it's music gives you a feeling of the infinity of outer space opening before your eyes as the same melody repeats over and over. Epic trance has elements of pop music and vocals are the main focus. Epic trance later became the base for the short lived trance parapara, or trapara.
Dance pop is literally just that, hit songs by famous singers that everyone listens to that routines are made for.
In any case, vocals are the lifeline of any song that is choreographed, and I think it's safe to say that songs without vocals hardly ever get choreographed.
Also, you should go to the CD shop and find CDs labeled as eurobeat or hyper techno and listen with your own ears for what the difference between the two is. There are a lot of songs that will make you wonder "What's the difference?" but record companies are not even able to divide the two!
Keep in mind that depending on the circumstances, or depending on companies trying to sell CDs, definitions of genres can change so don't think too hard about it and it's fine to create your own division of the genres based on what you felt.
As you're listening, you'll find your preferred type of music that speaks to you in a certain way. Even if you can't dance, the more you listen, the more you'll want to know the dances, and then you'll start to want to actually dance at the clubs and discos.
Next in Chapter 2 I'll explain about the places where you can actually dance parapara!
written by Ken-ya,translated by Heather
no postear en este topic! si de sea opinar sobre esto u otras cosas crear un post en offtopic..
---------------------------------
Chapter 1 What is parapara?
- Now you too can understand parapara! -
The author of this book mainly attended clubs and discos in the Tokyo Metropolitan Area (Tokyo, Chiba, Kanagawa), so please understand that this book is going to be written from a Tokyo point of view. There are countless clubs all over Japan, and each region and each individual club has its own characteristics, but that will be explained in later chapters.
I, the author, did attend events in Nagoya for a while so I understand Nagoya clubs a little from what I personally experienced, but compared to the locals it's only scratching the surface. But on the other hand, as an outsider I was able to observe the scene objectively from a third party point of view.
As for other parts of the country, I only visited a few times so I'll probably receive complaints saying "The club we went to wasn't like that at all!", but I'll gladly accept opinions like these if you have them.
If I get too concerned with the small details it will be hard to see the big picture, and it will be nothing but jargon for people who are just beginning or who have never danced parapara and for the younger generation. So first I'm going to start with explaining as simply as possible what exactly parapara is.
Parapara is...
a dance of Japanese origin consisting mainly of upper body movements with your hands and arms combined with stepping left and right with your feet, set to club music, mainly eurobeat but also hyper techno, dance pop, and trance, in which each song has its own set choreography, which is danced with your friends and the other people who are at the dance club.
Perhaps it can be compared to a modern-day energetic high-paced Bon Dance or Awa Dance?
Generally parapara is danced at night clubs, so it is closely connected to the rise and fall in popularity of dance clubs and discos.
Dance moves set to genres of dance music called Hi-NRG and eurobeat were the origin of parapara, and simply those dances can also be called parapara, but there are many other close relatives of parapara.
The name changes slightly when parapara is danced to other music genres such as techno, dance pop, house and trance. Parapara danced to dance pop is called "yodore" (this name is mainly used in Western Japan; in Eastern Japan there is no set name and it is just simply called "dance pop"), parapara danced to techno is called "techpara", and parapara danced to epic trance is called "trapara."
There is a type of rave style techno called "Juliana's techno" that is very close to the category of parapara but it is a totally different species and falls under the category of disco. It is a combination of freestyle dance using a folding fan and simple parapara-esque choreography.
I've dropped the names of many different types of club music and you're probably feeling confused, plus it's nearly impossible to try and explain music through writing, but I'd like to explain everything bit by bit in the hopes that people will become interested.
Parapara as we know it today is said to have been born in the mid 1980's, around the year 1985 in a disco in Shinjuku, Tokyo.
This period is referred to as the first parapara boom. Simple choreography started to be set to a genre of music called Hi-NRG, the prototype of eurobeat,
and became popular with the regulars at the disco and then little by little spread to discos in other areas.
The staff at the disco started creating original choreography to songs in order to draw in more customers. Video technology was not advanced like today so the only way to learn routines was to learn them at the club.
At the time nightlife was a status symbol and in order to earn the title of king of nightlife regulars begged the disco staff to teach them routines. Disco staff at the time were extremely popular. How well the staff were able to draw in customers was closely related to the disco's profits.
There are several explanations as to why the name "parapara" came into use, and it's hard to conclude which one is correct. One explanation is that while dancing people used to chant "pa-ra, parapara." Another explanation is that it comes from the Japanese word "parapara" which means to sprinkle, and that people's hands while dancing were like rain sprinkling, but this explanation is a little far-fetched.
Eurobeat songs are divided into the intro, the A-melo, the B-melo, the refrain, and then return back to the intro. Each part has its own separate choreography, and the five separate parts together form one song. The choreography for the intro is flashy and bold, the A-melo is more subdued, the B-melo is more exciting, then in the refrain the choreography gets interesting and plays with the song's title phrase.
Whenever one of the words "you", "crazy", "baby", "me", "day", "ha!", "motion", "action", "cry", "time", or "do" comes up in a song's lyrics, there is a certain move associated with that word.
For example, for the word "crazy" you twirl your two hands next to your head, for the word "time" you use your hands to form the letter "T" in front of your body, and for "ha!" you mimic the Kamehameha attack pose from the anime Dragonball. For the word "cry" you bring your hands to your face and mimic crying. Some are a play on words that sound similar to another word in Japanese. For example, the word "action" sounds similar to the Japanese word for "achoo!"(hakushon) so the choreography mimics a sneeze. If you pay attention to the lyrics and the choreography while people are dancing, you'll be able to see the aforementioned set moves.
Also there are some set moves that are used without any relation to the music. One is a move where you sweep your right hand through the air in front of you from left to right, and then repeat going the opposite direction with your left hand. Another is a move called the aokin which looks like an wild animal trying to intimidate and protect its territory. (This move leaves an impression on beginners seeing it for the first time, and you can see it in songs such as "Kamikaze"). There are also poses that you hold for several counts that look like something from "Kamen Rider" or "Something Something Rangers." These are very characteristic moves that have nothing to do with the lyrics.
The basic foot movement is a 2 step from left to right, but sometimes there is stepping that is complicated and impossible to predict, or times when you don't step at all or you go down on one knee. There are variations on stepping in order to match the song, and especially with the new generation of parapara stepping is getting more and more complicated. More and more complicated and unpredictable high speed moves almost like aerobics are being brought into parapara, and it's a big change from the simple, predictable and easily copied choreography of the old songs of the 90's.
When someone is a good dancer, you can see the gracefulness and beauty of their movements even in simple stepping. But with beginner dancers and people who are a little dancing impaired, their upper body and lower body are discoordinated and their center of gravity is off which makes them look like a broken doll. Then there are people whose behavior is so strange that it makes you a little worried when you're watching them from the side. These people make for a good contrast in dancing skills so it's good to have them around. When these type of people get up on the otachidai(stage) to dance without understanding their own skill level, they get laughed at and pointed at and become the butt of people's jokes.
I've tried to explain a lot but dance is something that is difficult to explain in writing. If you've never seen parapara, I suggest seeing the real thing once, even if it's just a Youtube video. Even if you don't know a thing about parapara, you can tell the difference between a good dancer and a poor dancer by the persuasiveness and intensity of their movements.
Now I'm going to explain about the genres of club and disco music that were mentioned in the beginning of the chapter - hi-NRG, eurobeat, house, Juliana's techno, hyper techno, trance, epic trance, and dance pop.
There are many kinds of club music, such as hip hop, R&B, reggae, rock, and techno, which itself is a big category. Those genres of music are the most mainstream, but this book is about parapara culture so I'm going to skip them.
Songs used for parapara in general have vocals and use electronic instruments such as a synthesizer. Characteristically they are created completely synthetically except for the vocals and guitar. Songs, especially eurobeat songs, have a 4/4 rhythm and a fast tempo from 120 to 160 bpm.
This is a cop out explanation, but the difference between eurobeat and hyper techno is indistinguishable unless you're used to hearing both. Non-paralists of course and beginners even I'm sure get frustrated and confused with not being able to tell the difference. Moreover, there is no guideline for clearly dividing the two genres, so depending on the person where they divide it may be different. It's a vague thing based on the song's melody and speed and the atmosphere of the song.
However, when you've been listening to eurobeat and hyper techno for a long time you understand the criteria for dividing the two genres, and to an experienced person they seem like two completely different things. Eurobeat is characterized by cheerful melodies that uplift your mood. Hyper techno feels aggressive and gloomy, and the lyrics include a lot of violent phrases. Juliana's techno feels melancholy and even more aggressive, and it steals your heart with a sound like scissors cutting the air.
Trance is such a wide genre and if you tried to break down all the categories there would be no end, but generally it's music gives you a feeling of the infinity of outer space opening before your eyes as the same melody repeats over and over. Epic trance has elements of pop music and vocals are the main focus. Epic trance later became the base for the short lived trance parapara, or trapara.
Dance pop is literally just that, hit songs by famous singers that everyone listens to that routines are made for.
In any case, vocals are the lifeline of any song that is choreographed, and I think it's safe to say that songs without vocals hardly ever get choreographed.
Also, you should go to the CD shop and find CDs labeled as eurobeat or hyper techno and listen with your own ears for what the difference between the two is. There are a lot of songs that will make you wonder "What's the difference?" but record companies are not even able to divide the two!
Keep in mind that depending on the circumstances, or depending on companies trying to sell CDs, definitions of genres can change so don't think too hard about it and it's fine to create your own division of the genres based on what you felt.
As you're listening, you'll find your preferred type of music that speaks to you in a certain way. Even if you can't dance, the more you listen, the more you'll want to know the dances, and then you'll start to want to actually dance at the clubs and discos.
Next in Chapter 2 I'll explain about the places where you can actually dance parapara!
written by Ken-ya,translated by Heather
Dom Ago 24, 2014 9:29 pm por joanas
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